One that stands out was the Apperformance at The Bayou – DMB’s first show in Washington, DC. DMB soldiered on, however, and played a number of stellar performances that spring. After his final show on March 23, 1993, Griesar left the band amicably and later pursued a solo career. The crammed touring schedule, which had the band traveling across Virginia and beyond in increasingly larger venues was not the kind of atmosphere that Griesar preferred to play in. The first major change was the loss of Peter Griesar. In many ways, 1993 was a year of transition for DMB. Future album singles like "What Would You Say," "Ants Marching," and "So Much To Say" were all in rotation by this time, as well as rarities that would soon disappear from the sets, such as "People People," "Spotlight," and "Blue Water." These early songs were captured for future generations of DMB fans to hear thanks to the band's taping policy, which encouraged fans to bring their own recording rigs, or - in the early days - plug directly into the band's soundboard. Soon the band would be crisscrossing Virginia and the surrounding states in a red van.Īll this time on the road gave DMB the chance to add songs to their catalog. marked the band's first out-of-state performance, at the Atlantis in Nags Head, NC. They also started branching out into neighboring states. By May, Boyd had officially joined DMB, and the band had performed its first radio show for WTJU 91.1 FM in Charlottesville on May 5, 1992. The band was playing regular gigs at Trax and Flood Zone, building a loyal and ever-growing fan base. Weekly gigs soon followed, and after a time the band was also playing regular shows at The Flood Zone in nearby Richmond.ġ992 was a busy year for the young Dave Matthews Band. Octomarked DMB's first performance at the Trax Nightclub in Charlottesville. Their first paid gig was a few weeks later on a private party on the rooftop of the South Street Warehouse, in which they collected about $70 by passing around a hat. Everyone was so pleased with Boyd's addition to DMB's sound that he was invited as a guest for the band's first public performance at Charlottesville's Earth Day Festival on April 20, 1991. Feeling that there was something missing from the future fan-favorite "Tripping Billies," violinist Boyd Tinsley of the Boyd Tinsley Band was brought in to guest on the track. In the spring of 1991, the Dave Matthews Band recorded their first demo. Completing the band was keyboardist Peter Griesar, who had played with LeRoi and Tim Reynolds in a band called The Basics, and who was also bartending at Miller’s with Dave. Based on the recommendation of John D'earth, 16-year-old musical prodigy Stefan Lessard was invited to play bass. Next, Dave approached saxophonist LeRoi Moore, a frequent performer at Miller's and other venues around Charlottesville. Dave first approached drummer Carter Beauford, an accomplished musician who had played in a jazz-fusion band called Secrets, along with John D'earth and future DMB keyboardist Butch Taylor. Recording in the studio of Chapman Stick-player Greg Howard, and utilizing the musical talents of guitarist Tim Reynolds and jazz trumpeter John D'earth, Dave recorded several demos and started looking for more players who could compliment his unique guitar-playing style. Matthews, a bartender at a local hangout called Miller's had been working for the past two years with friends in Charlottesville’s music scene to put some songs he had written on tape. The story of the Dave Matthews Band begins in early 1991 in Charlottesville, VA.
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